CrewDesk

CrewDesk/Guides/Managing several productions

How to manage multiple productions at onceSix productions. One calm Monday.

One production is a project. Six at once is a system, or a mess. Here is the method production companies use to keep parallel projects from colliding.

One click, no account. The demo is filled with sample productions and rebuilt every day.

The short answer

Keep one list of all productions with their stage, one calendar for all shoots, one inventory for all gear, and one weekly review where each production gets two minutes. Give every task one owner. The tool matters less than having one of each.

The four shared things

  • One list of productions. Each with client, stage, shoot dates, delivery date and producer. If it is spread across boards, nobody sees the whole.
  • One calendar. Shoots, scouts, fittings and deliveries of every production together. Conflicts appear by themselves.
  • One inventory. A camera can only be in one place. So can a director of photography.
  • One place for people. Cast and crew with their notes, usable by every producer.

The weekly review

  1. Go through the list by stage. What moved, what is stuck.
  2. Look at the next two weeks on the calendar. Shoots, deliveries, absences.
  3. Read the late tasks aloud. Reassign or re-date each one.
  4. Name the risk of the week for each production in one sentence.

Thirty minutes, the same day every week, with the list on a screen everyone can see.

Where it breaks

It breaks when information is private: a schedule in one producer's files, a gear promise made by message, an approval received by phone. The cure is a habit more than a tool: if it is not in the shared place, it has not happened.

What this looks like in CrewDesk

The projects page is the single list, with a stage chip and a progress bar per production. The calendar gathers every event. The dashboard opens on what is due next across all productions, and the inventory and cast database are shared by the whole team.

Questions

Asked before the first call

How many productions can one producer handle?

It depends on their size and stage. A producer can follow many small projects if the system shows them what needs attention, and very few if everything is in their head.

Should each production have its own board?

Each needs its own space, and all of them need a common view. Tools that only offer separate boards make the weekly review painful.

What is the first thing to centralize?

The calendar. Double bookings of people and equipment are the most expensive collisions.

● Rolling

See it run.

CrewDesk is a working application, not a mock-up. Open it, move a project to the next stage, assign a task, and judge it on what it does.