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Film crew roles and departments explainedWho does what on a set.

A film set looks like chaos to a visitor. It is a strict organization by department. This guide lists the main roles and what each is responsible for.

One click, no account. The demo is filled with sample productions and rebuilt every day.

The short answer

A crew is organized in departments, each with a head who answers to the director for creative matters and to the producer for money and time. On a small shoot one person may hold several roles; the responsibilities still exist.

The departments and their key roles

DepartmentKey rolesResponsible for
ProductionProducer, line producer, production manager, production coordinator, production assistantsMoney, contracts, logistics, schedule, paperwork
DirectionDirector, first assistant director, second assistant director, script supervisorThe creative vision; running the set; continuity
CameraDirector of photography, camera operator, first and second assistant camera, digital imaging technicianThe image: framing, focus, exposure, media
LightingGaffer, best boy electric, electriciansLighting and power
GripKey grip, best boy grip, dolly gripCamera support, rigging, shaping light
SoundProduction sound mixer, boom operatorClean dialogue and sound on set
ArtProduction designer, art director, set decorator, props masterEverything the camera sees that is not a person
Wardrobe, hair and make-upCostume designer, wardrobe supervisor, key make-up artist, key hair stylistHow performers look, with continuity
LocationsLocation manager, location scoutFinding, securing and protecting places
Post-productionEditor, assistant editor, sound designer, composer, colorist, post-production supervisorTurning footage into the finished film

How a small crew doubles up

On a corporate or documentary shoot of five people, the producer is also production manager and coordinator, the director of photography operates and lights with one assistant, and one person records sound. Naming who covers which responsibility, even informally, prevents the classic gap: everyone assumed someone else booked the parking.

Titles change with the country

North American, British and French sets do not divide the work in the same way, and Québec mixes the traditions. If you co-produce, compare job descriptions, not titles.

Roles in CrewDesk

CrewDesk does not try to model every job title. It uses four access roles that match the production office: Producer, Coordinator, Production assistant and Crew. A person's craft, such as gaffer or editor, is information on the project team; their role decides what they can see and change.

Terms used on this page

First assistant directorLine producerPost-productionProduction assistantProduction coordinator

Questions

Asked before the first call

Who is in charge on a film set?

The director leads creatively. The producer is responsible for the production as a whole. The first assistant director runs the set hour by hour.

What is the difference between a gaffer and a grip?

The gaffer leads the lighting team and handles lights and power. Grips handle camera support and rigging, and shape light with flags and frames.

What does a best boy do?

The best boy is the second in command of the lighting or grip department: crew, equipment and paperwork for the team.

● Rolling

See it run.

CrewDesk is a working application, not a mock-up. Open it, move a project to the next stage, assign a task, and judge it on what it does.